Posts Tagged ‘movietime’

  • The General World of Jen

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    I love the holidays. There’s a purpose behind them: once a year we have to slow down and look around. Whether or not you like what you see it’s a chance for reflection and, hopefully, gratitude.

    I visited with my cousin and her daughter (cute baby at left) to exchange presents this afternoon. I won’t see them for at least three weeks and it’s bumming me out. But no present in the world can beat falling asleep with a baby on my chest while watching ‘A Muppet Christmas Carol’. That’s what life is all about right there.

    Sadly I can’t focus on the holidays quite yet. Heading home and seeing family is still a week off, and a very busy one at that. There’s Christmas parties and cards and more gifts to buy and for some reason I have tons of meetings this week. Don’t people know it’s the holidays?!

    And in others news I’m keeping busy with a new project: contributing to movie-recipes.com! No, you’ve never heard of it. It’s a site that a friend of mine does. Rather than review movies it tells you what the movie is made of. Hopefully it will give you an idea of whether or not it’s worthwhile based on the movies it’s similar to. You can check out my inaugural post here.

  • The State of Hollywood

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    Quick review of some of this years Oscar contenders:

    Atonement – a chick flick and kinda too long, but a story that haunts you
    No Country for Old Men - I was disappointed by the end, but there were some great performances and the infamous weapon is like another character
    Charlie Wilson’s War – a humorous (apparently true) story of a congressman who fights Russians in Afghanistan. The meaning of our success and failures there are poignant.
    Eastern Promises – Viggo Mortensen is naked! But with good reason. It’s an incredible scene in a disturbing and disturbingly good movie.

    I’m hoping to see ‘Juno’, ‘Sweeny Todd’ and maybe ‘There Will be Blood’ this week and I’ll pass judgment on those if I do.

    I also saw ‘Citizen Kane’ on Saturday. In a weekend of arguably the best movies of the year, it held its own. But when you go into a movie thinking it’s going to be the best movie of all time (according to AFI) you’re bound to be disappointed. Also, I’d already heard about Rosebud, which I guess was the point…? I did think it was shot in some really fascinating ways and I loved seeing the young Joesph Cotton. Not exactly a waste of two hours.

    By the way- if you don’t trust me and you’re trying to figure out if you’re going to like ‘Juno’ or ‘Atonement’ or some other recent release, visit my friends site, http://www.movie-recipes.com/, to get a “taste” of what the flick is about.

    And finally…
    Heath Ledger: you were a cutie and I’ll miss you. I will mourn you in the theater during the next Batman movie (you look awesome in that). I will not watch ‘A Knight’s Tale’ because I’m pretty sure we both know that was a mistake.
    Everyone else in the world: it’s not the end of the world. It’s not even the end of Hollywood, much as we might like. Isn’t Britney hitting on Paris or something? Shouldn’t you be talking about that soon?

  • Movie Love

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    In honor of Valentine’s Day I thought I’d ignore the twelve steps and take a moment to discuss love in movies. Movies are largely responsible for our idea of what love should be, despite the fact that they’re rarely accurate to real life. The best example I’ve thus far seen is what I call the “end of movie coupledom moment”.

    Have you ever noticed that at the end of these romantic movies the couples seem to always end up in the middle of a city, kissing passionately in some public place? It’s almost always outside and everyone stops to smile at them or has to walk around them. I’m not making this up- I can list dozens of movies that work on some variation of this as a last scene. Sabrina – in Paris, Breakfast at Tiffany’s – in the rain with a cat, You’ve Got Mail – in a park with a dog, Two Weeks Notice – on a street corner, Just Like Heaven – on a roof top. In fact, the movie Someone Like You went so far as to have two endings: one on a street corner and an alternate one on a rooftop.

    Since this is apparently the way love is supposed to go, and since I have neither a boy to kiss nor an appropriate open-air, public spot to do it, I’ll instead be sitting on my couch, watching sappy movies and counting down the remaining days of my feminine desirability. I’m not really that broken up about about it- just righteously indignant at the mis-representation. In 48 hours Valentines Day will be over and I won’t need an outlet for my annoyance.

  • Oscar Schmoscar

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    I know I haven’t written in awhile and it is a sad statement on my life that something as petty as the Academy Awards has driven me from my slumber, but there it is.

    First of all, I thought Jon Stewart did a great job as a host. He did appear to be nervous at the beginning, and who wouldn’t be, (have you seen the size of the Kodak theatre?) but he certainly got better as the night went on and I heard plenty of people laughing.
    But according to reports, none of those people were the “stars” and therefore, the word out on the street is Jon Stewart was a “failure, on par with David Letterman and Chris Rock”. I would point out that you can do worse than to be lumped with David Letterman and Chris Rock.

    The problem is that the stars cannot laugh at themselves. It’s a sad statement on Hollywood that they can mock, imitate and comment on every other race, culture, creed and nationality out there EXCEPT for those who share their zip code.

    Secondly, I for one was very pleased to see that ‘Crash’ won for best picture. I saw that movie and it was a tough, uncomfortable view of people from different races and walks of life. I thought they did a very good job with the material and was more than a bit surprised at how much it affected me.

    But according to the writers of ‘Brokeback Mountain’ the only reason ‘Crash’ won is because America can’t handle the idea of a gay-themed best pic winner (http://oscars.movies.yahoo.com/news/reuters/20060306/765.html):

    The victory for “Crash” suggested Oscar voters were more comfortable with a tale that exploited the seamy underbelly of racial conflict in contemporary Los Angeles than with a heartbreaking tale of love between two married men.

    “Perhaps the truth really is, Americans don’t want cowboys to be gay,” said Larry McMurtry, 69, who shared an Oscar for best adapted screenplay with Diana Ossana for “Brokeback.”

    This is patently unfair. ‘Brokeback’ which won plenty of awards, including several best picture awards, was a perfectly fine move. It was well-touted in public, much discussed and rarely lamented. There were some comments/complaints, but you made a groud-breaking movie; you asked for it. Just because the Academy – who I remind you is primarily made up of Hollywood insiders – felt that ‘Crash’ was the better movie does not mean that America cannot handle homosexuality.

    That being said, maybe Americans do have a problem with gay love. But you would think that these people, who should be advocates for gay rights, would focus more on the problem when laws are passed banning gay marriage, than when they are passed over for an award.